Meine 30 besten Kinofilme in 2010

(in der Rei­hen­folge der Sich­tung)

Neuere

Im Schat­ten (Thomas Arslan, D 2010)
Por tu cul­pa (Anahí Berneri, ARG/F 2010)
Aque­le Queri­do Mês de Agos­to (Our Beloved Month of August, Miguel Gomes, POR/F 2008)
The Bad Lieu­tenant: Port of Call – New Orleans (Wern­er Her­zog, USA 2009)
Der Räu­ber (Ben­jamin Heisen­berg, D/AT 2010)
Poli­tist, adjce­tiv (Cor­neliu Porum­boiu, ROM 2009)
Til­va Ros (Niko­la Leza­ic, SER 2010)
Auto­bi­ografia lui Nico­lai Ceauces­cu (Andrei Uji­ca, ROM 2010)
La vie au ranch (Sophie Letourneur, F 2009)
Belle épine (Rebec­ca Zlo­tows­ki, F 2010)
Bal (Semih Tapanoglu, TUR/D 2010)
Vil­la Amalia (Benoît Jacquot, F/CH 2009)
Tournée (Math­ieu Amal­ric, F 2010)
The Social Net­work (David Finch­er, USA 2010)
Mar­ti, dupa craci­un (Tues­day After Christ­mas, Radu Muntean, ROM 2010)

Ältere

My Child­hood (Bill Dou­glas, UK 1972)
Il gia­rdi­no die Finzi Con­ti­ni (Vit­to­rio De Sica, I/BRD 1970)
Ai yori ai e (So Goes My Love, Shi­mazu Yasu­jiro, J 1938)
Le cor­beau (Hen­ri-Georges Clouzot, F 1943)
Le salaire de la peur (Hen­ri-Georges Clouzot, F/I 1953)
Cría cuer­vos (Car­los Saura, SP 1976)
La lib­er­tad (Lisan­dro Alon­so, ARG 2001)
Design for Liv­ing (Ernst Lubitsch, USA 1933)
A Mat­ter of Life and Death (Michael Pow­ell & Emer­ic Press­burg­er, UK 1946)
Tösen från Stormyr­tor­pet (Das Mäd­chen vom Moorhof, Vic­tor Sjöström, S 1917)
The Fall­en Idol (Car­ol Reed, UK 1948)
Barn­vagnen (Kinder­wa­gen, Bo Wider­berg, S 1963)
Vamonos con Pan­cho Vil­la (Fer­nan­do de Fuentes, MEX 1936)
The Sun Shines Bright (John Ford, USA 1953)
The Lodger (Alfred Hitch­cock, UK 1927)

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